Updated on 6/10/2010: This update adds The Cure’s Disintegration [Deluxe Edition] to the perfect 10.0 list.
Updated on 5/19/2010: This update adds The Rolling Stone’s Exile on Main St. to this list.
Updated on 3/30/2010: This update adds Galaxie 500′s deluxe reissue version of On Fire to the list of perfect 10.0′s.
Updated on 3/8/2010: Pavement’s first retrospective compilation, Quarantine the Past, has been added to the perfect 10.0 list.
Updated on 3/2/2010: Pitchfork have added Spiritualized’s Ladies and Gentleman We Are Floating in Space [Collector's Edition] to their list of perfect 10 reissues.
Updated on 12/11/2009: P4k have added Neil Young’s Everybody Knows This Is Nowhere and After the Gold Rush reissues to their list of perfect albums. A couple of good choices in my opinion. Harvest missed out by receiving a 9.3.
Updated on 9/11/09: Jesus Christ all these perfect 10′s in one week has to be some type of record for P4k. Today they handed out another one for the 20th anniversary reissue of the Stone Rose’s self-titled album. For those counting they’ve issued seven 10′s this week. Of course they’ve all been deserved in my opinion.
Updated on 9/10/09: To include the Beatles’ Stereo/Mono Remastered Reissues of The White Album and Abbey Road.
Updated on 9/9/09: To Include the Beatles’ Stereo/Mono Remastered Reissues of Rubber Soul, Sgt Pepper’s, Magical Mystery Tour and Revolver.
Updated on 8/25/2009: To include Radiohead’s Kid A: Special Collectors Edition.
Updated on 7/2/2009: To include R.E.M’s Reckoning (Deluxe Edition) reissue.
Updated on 5/26/2009: A commenter by the name of Chris was kind enough to point us to a web archive that shows Pitchfork as if it were 2001 (Thanks Chris!). This is actually pretty fun to look around. The first news topic talks about Radiohead announcing the Amnesiac tracklist via bulletin board. After looking around for quite sometime I forced myself to focus and as a result I’ve updated all the links to show their original reviews. Some of these reviews I couldn’t find links to in the first place (cough cough Kiss) so there might be some new materiel for you guys to check out.
Updated on 4/20/2009: To include the Radiohead reissues of OK Computer and The Bends.
Updated on 3/26/2009: to Include Serge Gainsbourg’s Histoire de Melody Nelson.
Updated on 3/19/2009: It appears that in their recent site redesign Pitchfork decided to get rid of any album review that was over ten years old. This means reviews to albums like OK Computer, The Soft Bulletin and I See A Darkness no longer exist. I’m not sure why they did this, but I imagine it had something to do with reviews like this one.
Updated on 2/13/2009: to included the Beastie Boy’s 20th anniversary reissue of Paul’s Boutique.
Updated on 11/24/2008: to include R.E.M.’s Deluxe Edition of Murmur.
Regardless of how you feel about Pitchfork, I don’t think any of us can argue the sites relevancy within the small confines of our music world. Needless to say Pitchfork is always a polarizing topic. You have those that hate the sheer existence of it and deem the writers pretentious music elitists with a little too much power, and then there are those individuals who appreciate the site and rely heavily on its recommendations. Regardless of what side of the fence we are on when it comes to this issue, we all still inevitably read Pitchfork. Truthfully, I read it every day and I look forward to it. I don’t always agree with their reviews (I’m looking at you Fuck Buttons), but I have my coffee, check the news and right before I start working I check the Pitchfork reviews.
I do hate that so many people put so much stock in their reviews, but like it or not a good/bad Pitchfork review can make or break a band. Many people claim Pitchfork is responsible for breaking bands like Arcade Fire, Sufjan Stevens, Interpol, Wolf Parade, and Broken Social Scene. I think it’s safe to say all these bands have plenty of talent, but I’m sure the little nudge Pitchfork gave them didn’t hurt their chances. On the other hand a poor Pitchfork review can destroy a bands career just as quickly. We all remember the monkey drinking its own piss review of Jet’s, Shine On, and the satirical review of the Black Kid’s Partie Traumatic.
I haven’t heard much from Jet lately, and I guess we will have to wait and see if the Black Kid’s can overcome their poor review. This got me thinking about how consistent Pitchfork has been with their reviews in the past, so I decided to try and find a list of albums that have received perfect 10.0’s throughout the years as well as a listing of those unfortunate albums that have received 0.0′s.. I didn’t have to look very long as some members of the Ateaseweb forum kindly pointed me to Pitchfork’s wiki page complete with all the information I needed.
I went ahead and linked to as many of the actual reviews as I could, but some of them have been taken down over the years. The list is broken down into three categories. The first list includes actual albums that received 10.0’s upon initial release, the second list included albums that received 10.0’s upon re-release, and lastly is the list of albums receiving a 0.0.
View the lists after the jump…
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